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We started our travel blog back in , and over the years we have invested a LOT into different photography equipment. Well, through trial and error, speaking to plenty of fellow bloggers, and based largely on years of personal use, I believe we have narrowed down what is ultimately the best camera for bloggers. It sits slap bang in the middle price-range, but offers quality and features that many cameras twice the price fail to match.

Below, I’ll take you through our top choice some more and also offer up 14 more top quality suggestions for you to consider. All based off experience, deep research, and testimonials from fellow bloggers you’ll see these below. Before traveling anywhere, make sure you have your travel insurance in place.

We recommend SafetyWing. But they are a worthwhile investment regardless of your chosen blogging industry. Notably because they offer:. With more than million blogs now online, competition for readers is stiff! Plus, this number will only increase. The good news is that most people are attracted to visuals. So, having high-quality photographs and videos will help set you apart from the competitors.

Companies and tourism boards are more likely to work with blogs that consistently produce great content, and photos are one indicator of that. This includes taking excellent photos of it! We’ve experimented vlogging and blogging with a number of cameras, and have finally settled on our top choice. Overall, it’s a great option for anyone just starting out who wants to take blogging seriously from the get-go. My parents actually bought me this back in as a Christmas gift for my backpacking adventures spoilt right?

I know! Which is pretty impressive, where new tech is usually outdated within a year or two. Here’s a quick pic taken with this exact camera, to show you the quality we’re talking about Super cheap cameras simply don’t offer the flexibility and features you need to excel in the modern, competitive world of blogging.

Plus, you will never get a camera that also records video and sound in decent quality at such a low price. As a point and shoot, it is incredibly flexible, and to be honest I usually stick to the automatic settings which doesn’t even make full use of the complex variety of settings you can gain from this camera. But if you’re also considering starting a vlog, then the Canon G7X Mark ii is where it really becomes awesome value for money.

The recording quality is miles ahead of other similarly priced cameras and the audio is perfectly good for most filming environments. The one area it lacks in is it’s ability to easily integrate with a microphone for enhanced sound quality or avoiding wind disturbance.

But to be honest, it’s really not that big of an issue and there are ways around it. In fact, it’s the exact camera we use for all of our YouTube videos around the world!

There is also a rubber grip on the front that makes the camera very comfortable to use and hold, despite its small size. You can expect detailed and crisp images, as well as in-camera RAW processing. It features a built-in 4. It’s responsible for most of the images you see on this blog, and all the handheld footage you see on our vlog.

Different cameras suit different styles of blogging. Whether it be lifestyle blogging, travel blogging, or beauty blogging,. Make sure your blogging camera is light, especially if your niche is travel-related. Having a compact camera also encourages you to actually use it. The options I will list below are some of the most compact models.

Image stabilization is crucial if you want to take clear photos without blurring. Some cameras have this feature built-in, while others need a separate component attached to the lens.

Audio may not be a priority if your focus is merely taking pictures. A lot of bloggers are also vloggers nowadays, and this is when audio quality becomes important. It helps if the camera has an excellent built-in microphone, though you should consider buying an external microphone for vlogging too.

However, a 4K video resolution is not only good for vloggers. This could be another leverage to make your blog stand out. The next thing to consider when choosing the best camera for blogging is its autofocus. A good camera can intelligently adjust the lens to focus on the subject. With great autofocus performance, you can be assured that most of your photos and videos will be crisp, focused, and ready to use.

Yes, getting good images in low light comes down to knowing how to set your ISO, shutter speed, and aperture. A point and shoot is the most common type of camera for casual, everyday use. It features built-in lens, autofocus, and flash, which all operate automatically. This camera is known to be extremely user-friendly, light and compact. This means instead of seeing the image directly on a viewfinder, you see it on the LCD screen.

Even if they have the familiar-looking viewfinder, it will be electronic. The electronic viewfinder is actually one of its best features! You can use this to adjust things like exposure, saturation, and contrast even before taking the photo.

This type is probably the best best camera for YouTube. It comes equipped with the manual control of a DSLR, but is much lighter and more compact. Most mirrorless cameras also have an excellent video mode with better image stabilization. Its simple internal mechanism means you can shoot faster, which is brilliant for capturing the action! On the downside, it has a short battery life and fewer accessories or lens options to choose from.

This camera is your best bet for bagging excellent, professional shots. Its powerful sensors will give you the most HD photos, while the flexibility is astounding. This includes the interchangeable lenses, which you can change depending on the result you want. Whether you want a wide angle lens, macro, fisheye, or just the standard! You will have full control over the shutter speed, focus, and aperture. It also performs well in low light and has a longer battery life.

With that said, DSLR cameras are definitely the most expensive option, especially if you count all the extra accessories. It can be quite large and heavy, compared to the other types of camera. Another thing to note is it requires some training and practice to master.

It can be daunting for a beginner to use. Sensor – This is what captures light and transforms it into images. A larger sensor can record more light and produce better quality pictures. Lower ISO is good for less grainy photos in a bright environment, while high ISO can help you capture images in dark places.

Max burst rate – This is important if you want to take continuous shots of a fast or dynamic action. Max burst rate is the maximum number of frames the camera can take per second. Video resolution – Consider getting a camera that supports high video resolution if you also plan to vlog in addition to blogging. When I do finally decide to upgrade, this is the camera I will opt for next.

But seeing as it costs more than twice as much as the Canon G7X Mark II , I would say that it doesn’t offer quite as much for it’s money. Unlike the Canon G7X, it also allows you to attach additional lenses so you can continue to improve your photography over time. Even at ISO 12,, you can get rich pictures without much noise, which is something any travel blogger could benefit from.

For example, when photographing sunrise or sunsets, and unique architecture in a dark indoor space. This camera also has a 5-axis sensor-based in-body image stabilization. Another notable feature from the Sony A7 III is the silent mode that lets you shoot without making any noise.

Additionally, it has a tilting LCD touchscreen and 4K video resolution. These are great features to have in case you want to vlog or capture some videos during your travels too. I showcase a lot of architecture in my blog, and to shoot architecture, you need a camera that can shoot at a very high ISO without producing noise in your shots.

My favorite ones are the Tamron mm F2. Its redesigned shutter can shoot at 10fps and I reckon this would be useful during fashion shoots. You can easily capture still images with no motion blur, even as the model moves around to create beautiful silhouettes. Additionally, the point AF system also ensures faster and more refined focus under any lighting condition. You can use the joystick to adjust the focus point too.

Compared to the previous Sony a7R models, this one has improved battery life and dual SD card slots. Not to mention a 4K video resolution! So when coupled with different available lenses , it really is an epic camera to own. However, the main highlight that any fashion blogger would appreciate is its flexible connectivity.

You can use the built-in WiFi and NFC to instantaneously share photos from the camera to your other devices. It is a very advanced camera and has hundreds of different settings which can be very difficult to beginners photographers but once you master it it will become an income source. I bought this camera to get the best shots while travelling and also to use it for my nightlife vlogs.


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For your average photography session of a subject dancing around , running or jumping, this lens has you well and truly covered. Also, at a whopping 1. Thankfully, the detachable foot allows you to securely attach the lens to any camera tripod, and also doubles as a comfortable way to grip the lens when hand holding your camera. Fujifilm lenses are renowned for their excellent image quality and build, and thanks to the smaller APS-C format, reduced size and weight too.

Dimensions Diameter x Length : 2. If anyone ever argues with you that the crop sensor format struggles to create shallow depth of field like full frame, this is the lens to show them…. Equivalent to an 85mm lens on a full frame sensor, this is the perfect focal length for a flattering people photo and comfortable working distance. Either way, this is one impressive lens that delivers ultra-sharp, flattering results with zero distortion.

As with all Fuji X mount lenses, the construction is solid. All in all, this is one impressive Fuji lens for portrait photography. Dimensions Diameter x Length : 4. Being able to go from a flattering half-body crop at 50mm, all the way up to isolating facial features at mm is an effective way to bring diversity to your shoot with minimal effort.

Lazy, but very effective! Auto focus is almost instantaneous and incredibly accurate, especially in daylight. The minimum focus distance is only 1. The amount of detail in the files is impressive, with images offering great clarity and contrast. One thing to note — this is a rather large lens for mirrorless standards but still small when compared with a DSLR equivalent , and as such, may make a smaller Fujifilm body such as the Fujifilm X-T20 feel somewhat unwieldy — one way to overcome this is to use a hand strap see more accessories for Fuji cameras here.

A good place to start is a prime lens with a focal length of 85mm or 50mm. Choosing between 50mm or 85mm really depends on the type of portraits you want to create.

Choosing a portrait lens comes down to a number of factors like your shooting style, which camera system you use, and of course your budget. With so many great lenses for portrait photographers on the market in , the choice can be a little overwhelming. My advice when trying to decide upon the best lens for you is to first try and understand which is your preferred focal length. However, you simply may not have enough space to shoot with a mm lens, for example.

This may or may not be important to you and your style of photography. Other factors to take into consideration include price obviously , maximum aperture for low light , size and weight for all-day shooting , and AF capabilities. If you use a tripod to shoot portraits, size and weight may be irrelevant too. So have a good think about what factors are most important to you, and be sure to check out our article on editing portraits in Lightroom too.

Enter your email to be sent today’s Welcome Gift: 19 Photography Tools. Best Lens for Portraits People Photography. Twitter Facebook 4 Pinterest Email Table of Contents. See More Reviews. Check current price. They start with the continuous shooting speed of 8fps, which is a little short of the 10fps and more achieved by top APS-C DSLRs and mirrorless cameras, but still enough for capturing most high-speed action.

The D is helped by an unusually good buffer capacity of 50 raw NEF files — unusual outside the professional market. The typical enthusiast DSLR or mirrorless camera can shoot any number of JPEGs, but most keen photographers would rather shoot raw, even in continuous mode, so the D is well ahead of its direct rivals here.

This remains the province of its more expensive D It doesn’t have on-sensor phase detect autofocus either, so while you can use its live view mode for 4K video, it relies on slower contrast-detect autofocus. Surprisingly, the D does not accept a battery grip. The touchscreen tilts up and down and has a resolution of k dots, slightly down on some current rivals.

On the outside, the D sports a carbon-fibre body rather than metal alloy, though it feels plenty sturdy enough nonetheless and it is weather-sealed. But there are a couple of unpleasant little surprises. The first is that there is only one memory card slot. You might get by perfectly well with one slot, but the fact is that the older D and the higher-end D both have two.

Worse, there is no provision for a battery grip. Both of these omissions are a bit of a surprise. A deep grip on the front gives you a good, firm hold on the camera; round the back, the extra height in the body leaves enough room around the big, tilting screen for the buttons.

It also tilts downwards slightly for overhead shots. The Live View button is on the back of the camera at the base, inside a lever to switch between stills and video. There is a counter-argument, however. With a DSLR, you can move your eye from the real world to the viewfinder and see exactly the same naked-eye, optical view. The control layout is much the same as the old D On the left of the top plate is a mode dial on top of a release mode dial.

You need a little dexterity in your digits to press down the locking button for the release mode dial, but at least this stops you from changing the setting accidentally. The focus mode control is a lever on the front of the camera on the left side of the lens flange. On paper, it takes the best of the other two models and combines them into one package.

Find our more about the camera in our A1 vs A9 II article. As for the A1, the first reports suggest that its 50MP chip is class-leading. The performance is good but mostly thanks to the optical stabilisation of the lenses, and either way it is not comparable to the likes of Olympus, Canon or Panasonic.

The design of the cameras has improved over the previous models. They have a dual SD card slot, a precise AF joystick, weather sealing and a deep level of customisation.

The grip is more comfortable, the buttons are thicker and feel more precise, especially when wearing gloves. That said, I found the Sony design to be the least comfortable when compared to Olympus Canon or even Nikon. The grip in particular is a bit small and you need to squeeze your fingers more than with other products that of course also depends on how big your hands are, others might be fine with it. Optional landscape or vertical grips can help.

The A1 has a state of the art EVF with 9. The A9 II has 3. They share the same magnification of 0. The battery is larger and improves the lifespan significantly, putting it closer to DSLR territory despite the huge processing power employed by the cameras. An optional battery grip is available for all three.

The A1 stands out again thanks to its 8K capabilities, 4K up to fps and all the latest settings and colour profiles seen on the video-oriented A7S III. The cost increases considerably if you want the best telephoto lenses available. Here are all the most interesting lenses to consider:. The mm f5. The AF performance remains good but is not on the same level as native lenses. The fastest continuous shooting speed drops on the A9 II and A1.

The X-T3 inaugurated the fourth generation of X-series cameras, and the X-T4 came less than two years later with extra improvements, which were then given to the X-T3 via firmware update most of them at least. So it is safe to say that, as far as wildlife photography goes, these two cameras are the same. They have an advanced autofocus system with points available in certain modes. More important, the phase detection points cover the entire width of the sensor rather than just the central portion in comparison to older Fuji models.

This means that when following a difficult subject that temporarily moves to the left or right side of the frame, there is a higher chance the camera will be able to continue tracking effectively. They react more quickly and accurately when birds unexpectedly veer towards to you. For moving subjects, you have to make sure to select the right settings or the performance can be less than ideal.

And I got that result with the XFmm f2, which is a large and expensive lens to use on the small X-T series. Where the two cameras excel is in terms of their continuous shooting speeds. Select the electronic shutter, and you can reach speeds of 20fps and 30fps. At 30fps there is a catch: the sensor is cropped by 1. There is also a mode called Pre-Shoot, which like Capture Pro on the E-M1 II, allows you to save pictures before fully pressing the shutter release button.

If you prefer, of course, you can shoot at 20fps with the full width of the sensor, and even better, all these speeds are available with live view and no blackouts, just like the Sony A9. It makes following a fast and unpredictable bird much easier than with the mechanical shutter which only shows the last image taken instead when the H mode is selected.

If you prefer to stick with the mechanical shutter, the X-T4 is faster with 14fps, whereas the X-T3 tops out at 11fps. The The 4K video quality on the other hand is a big step forward and includes 4K video recording up to 60fps in bit, as well as a maximum of fps in p. The design is more compact than the other cameras mentioned here, especially concerning the front grip. The cameras themselves are very comfortable to use thanks to the many dials, AF joystick, touch screen and the possibility to customise them to your liking.

The viewfinder has 3. One advantage of the X-T4 is the battery, which is larger and more capable than the one found on the X-T3. A battery grip is available for both. It provides excellent sharpness, autofocus speed and optical stabilisation. At that point, the mm becomes the better solution. The mm f3. Plus it lacks weather-sealing. There is the new mm that is weather sealed and compatible with teleconverters.

It comes with a newly designed 1. That said, the quality of the lens is superb to say the least! Certainly the small size of the body can be an advantage for other genres but when using larger lenses, you inevitably feel a lack of balance and find yourself wishing for a larger grip. It would also be nice to have more buttons and dials to control the most important settings.

That said, there are advantages worth considering. The autofocus system is the same, with phase detection points and an advanced algorithm. The continuous shooting speeds go up to 11fps or 8fps if you want live view with blackouts. Though the viewfinder is smaller than those of the other cameras listed here, it compensates for this with good clarity and a fast refresh rate fps. The 4K video quality is excellent and there are lots of useful settings for advanced video makers but rolling shutter can be severe when panning quickly.

Then we have the lenses. One of the most interesting options among the APS-C lenses is the mm. The selection increases with the lenses designed for the Sony full-frame mirrorless system where you can benefit from the 1. Here is the selection thus far:. One of the best choices if you have the budget is the mm G Master which has excellent optical quality, but keep in mind it is a heavy lens for these small APS-C cameras.

A cheaper and more lightweight option is the Sigma mm f I used the FE mm with good results but it can feel too short in some situations. The new mm offers a bit more reach and is less expensive. The mm has the most versatile range but you have to consider its size and weight when mounted on a compact body like the A or A The Lumix G9 is a surprisingly large camera for a micro four thirds model, but it comes with a robust grip that feels like the natural extension of your hand.

The body is very well-built and is completely weather-sealed. The shutter release button is a little too sensitive for my taste but others may prefer it that way. The top LCD screen is very handy as a way of checking settings on the fly and the electronic viewfinder is excellent thanks to the high resolution of 3.

The continuous shooting speeds go up to 12fps or 9fps with continuous AF when using the mechanical shutter. And just like the Olympus, you can use a mode similar to Pro Capture called Pre-Burst to save up to 15 images before fully depressing the shutter button. Bear in mind though that there is still some distortion due to rolling shutter. Up to 9fps, the G9 shows you a live view with blackouts. Although this results in a delay between what you see and what is actually happening, shooting at 20fps does help you to track fast moving subject more effectively because the frame rate is really smooth.

Also, keep in mind that if you want C-AF with full focus priority, you need to choose the Medium burst mode 7fps.


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